[...] I started thinking about what were mothers who were in the literature of Argentina and one could remember [...]
[...] I remembered then, for example, the mother of Silvio Astier in rabid toy, a figure very strong because they always who wants to write, her mother says you have to work whenever Silvio Astier is reading, he says "do not read you have to find a job" and then the novel is the leak of the mother, how this escapes maternal kind of order to be out earning a living. Then there is the mother who appears in Betrayed by Rita Hayworth, Manuel Puig's novel. Toto, the guy who walks around at school and is always running away because everybody wants you paste, you are mistreated, has his mother takes him to the movies. The mother then carries the film and is the mother who installs this mythology that will accompany Puig throughout his work, and very well told that intimacy with the mother, those evenings when people go to the cinema to watch Hollywood movies.
Then there is the mother of Tomatis, the character of Juan José Saer, which is a kind of negative mother because she is always watching television (which in the world of Saer's the worst that can happen). The mother is always watching TV and all that happens is that the mother Tomatis, who is the poet who goes there, you flip the screen, the only relationship they have is that Tomatis mother covers her TV, and then the mother asks him to go faster.
Following the presentation of I am a pilot brave new China .
